High school is hard enough without multiple personalities, amiright?
The Sacrament #1 (w: Peter Milligan, a: Marcelo Frusin)
Publisher: AWA Studios
It's like 40K with less Space Orcs and more pea-soup vomit.
Sacrament takes place in a dark future where mankind has abandoned earth and made to the stars. Knee-deep in the depressing voidness of it all is Father Vass, a womanizing priest suffering from a serious crisis of faith who has gathered notoriety for participating in a particularly grisly exorcism. Vass and his compatriot, Novice Rais, bounce from planet to planet holding mass and blessing people with an iPod Touch, all the while running from a law enforcement organization that does an incredibly terrible job at catching two people wearing heavy cloaks and not trying to hide their occupation in the slightest. However, Vass's whole steez gets turned upside-down when said law enforcement approach him with a proposition.
This book is sold as "Alien meets Exorcist" but honestly I get more Warhammer 40k meets Event Horizon meets the Last Exorcism. Marcelo Frusin's art does an incredible job capturing the cold bleakness of the universe as Milligan's story weaves us through Vass's doubt and fear. It's dark, it's harsh and it's exciting. A really cool book for people who dig absolutely ghastly sci-fi.
Elle(s) #1 (w: Kid Toussaint, a: Aveline Stokart)
Pub: ABLAZE Publishing
Listen, High School is hard. Even harder with multiple versions of yourself fighting for control. Big oof, am I right, kids? Sheeeeeeeeesh, ha, right?.... I'm so painfully old...
Elle is the new girl in school, and honestly she's handling it pretty well. She makes friends quick, stands up to the mean girls. Life is going pretty well. However, below the surface, there is a war brewing. A mysterious, dark version of Elle is out to make mischief. Once Elle finds herself in enough strain to drop her guard, Dark Elle strikes, replacing Elle with a different version of herself, while even more versions wait in the wings for their turn at the helm.
This is a really unique YA story that kicks off by instantly letting you know that it is going to be different. All the typical "new kid" tropes are immediately dashed. No mean teachers or communication issues. Elle is not a shy girl or even really that quirky. She makes friends quick, shoves away the bullying quickly. We are given a "new kid is doing pretty well" story, and honestly it's super refreshing. It leaves room for the story to focus more on an analysis of what it means to try and find identity as a young girl. How do teens define themselves and how do they allow outside factors to define them? How do teens change as time goes by and what happens to the friendships they made along the way? This book is absolutely enthralling and adorable. The art is perfect, the characters are fun, and I am sold 100% of the way.
Survival Street #1 (w: James Asmus, a: Jim Festante)
Publisher: Dark Horse Comics
Bigots are gonna pay
On my way to pick up more R-P-G's
Can you tell me how to get
How to get to Survival Streeeeeeeeeet
Look at the cover of this comic and tell me you don't want it. Do it. Lie to my face like that, you monster. The absolutely diabolical geniuses of James Asmus and Jim Festante apparently decided that the world needs a hardcore, gritty Sesame Street story and holy fluff were they right. This book takes place in a world where the US government has officially been seized by corporations and turned into a capitalistic dictatorship. It also happens to take place in a world where puppets are actual creatures that live and breathe, and some of them are on TV teaching people the power of fairness and stuff.
Our cast of Felt Americans were abruptly thrown to the curb when their edutainment show was cancelled by the New Immigration and Customs Enforcement agency, or N.I.C.E. In response to the loss of their livelihood and the general sweeping mistreatment of their brethren, the cast has rebranded themselves as a gang of revolutionaries, sticking it to mans of all kinds and teaching the powers that be the meaning of the word "fairness," as well as the meaning of the words "vengeance" "caliber" and "High-Yield Explosives." Festante's playful use of the page and high-octane style keeps the action screaming forward from cover to cover as if the book was brought to you by the letters B & A. It's a no holds barred felt flingin', ice cream munchin', system dismantlin' heck of a good time, and I am absolutely hungry for more.
My favorite thing about this book is how well integrated the puppet aspect is. The narrative never loses the puppet angle, but also doesn't spend a ton of energy dragging the pacing down while making jokes about it. Shockingly, the puppet characters come out feeling shockingly real, almost more flesh and blood than the politicians and corporate shills they're fighting against. As an avid Muppets/puppetry fan, this book appeals to me on so many levels, and I will definitely be recommending this book to people for years to come. I would absolutely LOVE to see this come to a screen of some kind.
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