Be smart, safe and sanitary out there, everybody!
Weekly Pull Highlights: March 11, 2020
It's all about really cool new indie titles this week! From Jonathan Hickman doing his thing in Decorum, or a super creepy new set from Jim Henson's Storytellers, we address all the important questions out there, like how profitable is it to sell a comic license, or why Harry Potter didn't just use a fire arm. You know, the important stuff.
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 If you need a good cry, Lex, no one's going to mind.Honorable Mention Highlights: March 4, 2020
Strange Academy #1 I was expecting just another cutesy YA read, but Skottie Young knows how to put the strange in Strange Academy. Between the perfect depiction of adolescent teen male Asgardians and Dr. Strange's ridiculous pep talk, I'm feeling pretty good about this read. Superman: Villians #1 Can every book have a section where Lex Luthor goes full 'Office Space' on a business appliance after being ridiculed, harassed and laughed at repeatedly? Because.. I really enjoyed that. King of Nowhere #1 This book is off to a really fun start, even if it's absolutely bizarre and feels more like a fever dream than a comic. Tyler Jenkins' art is stellar and does an excellent job blurring the line between reality and a bad hallucination. It's a weird trip without the bad side effects - I'm here for it. Dryad #1 I'm a sucker for a good fantasy book, and this one has left me with a TON of questions. Where'd they come from? Why did they go? (Where did they come from, Cotton Eye'd Joe) What the Sam Heck is going on with this lore? They did an awesome job of laying out the plot without really telling you anything, so I look forward to #2. Marvel #1 The highlight of this book for me was an actual REALISTIC depiction and conversation of the relationship between Peter & MJ. Heaven forbid, superheroes have to think about finances and rent and how much they spend on web fluid (talk about great responsibility...). They really are just like us! Man-Eaters: Tomorrow Belongs to You #1 It's less of a comic, and more of an avant garde art piece mocking misogyny. Beautifully laid it, it points to not only how awful Estro- treated women, but how utterly ridiculous the reparations are. A fitting window into some of the ridiculous stuff we put up with every day as ladies. ( - Tee) 
Sexy Pirate Queens!... if you're into that kind of thing.
Weekly Pull Highlights: March 4, 2020
We've got some spicy books this week, filled with intrigue, deception, sex, and slaughter - it's like our whole comic pull list came from HBO! From invading forces from Twin Worlds, to pirate queens in Cimmerian: Queen of the Black Coast, to a mysterious beauty in Mercy, there's a whole lot to get passionate about. Something... something... something... Cover B! 
Sit down Sherlock, it's not your turn this time!
Weekly Pull Highlights: February 5, 2020
This week was all about characters showing their (not-so-nice) true colors, from the devilish deal-maker in Backtrack, to the chaotic-evil Loki from After Realm, to Reed Richards being a total butthead (color me unsurprised). But hey, at least it's the weekend, right? 
The Daily Bugle is only publishing Black Cat listicles nowadays.
Weekly Pull Highlights: January 29, 2020
It's something special to witness when writers are allowed to build characters however they damn well please. This week, Mike Mignola holds no punches when it comes to playing our heartstrings in the new Frankenstein: Undone, while Ed Brisson brings us back to the wastelands of Old Man Logan in his new title. Plus, Leah Williams makes Dr. Strange a grumpy, old curmudgeon, which is really all I've ever wanted out of the character (he's just so sassy!). 
Miles really is the better Spider-Man.
Weekly Pull Highlights: January 8, 2020
A whole lot of books on the shelf, but not a ton of "Oh man, this is the best book ever!" type of titles. Plus, Tee is awfully salty about the direction of Star #1 (in a good way) and Ruins of Ravencroft Carnage (in a not as good way). Oh well, you listen to us for the opinions, right? (We're so sorry.)  All hail (a more nuanced and complex) Doom!Honorable Mention Highlights: December 11, 2019
Doom 2099 #1 (Marvel Comics) I have really been enjoying the more considerate depictions of Doom lately; yeah, he's a bad guy, but now he's a bad guy with DEPTH. This one shot was no different, plus it rocks house with a great twist at the end that I should have seen coming, even if I didn't. Props to you, Chip. Harley Quinn's Villain of the Year #1 (DC Comics) An awards ceremony issue where the winners we're actually voted on by readers. Honestly, this was super fun and I wish DC would do this every year. I don't know about you, but I actually voted on the various categories and it was cool seeing how my votes measured up compared to the winners. Captain Marvel #13 (Marvel Comics) Yeah, so, CALLED IT. Ain't nobody dead (I guess?), and of course she's not REALLY evil. But I love that Kelly brings back characters from previous books she's written, and does so unapologetically. This book felt like a nice return to form, so even though I CALLED IT, I'm looking forward to the next issue. Hack/Slash 15th Anniversary Special #1 (Image Comics) Nothing too fancy, but a nice reflection on the series if you've been a fan for a long while like I have. Tim Seeley does make a promise of something new to come, so I hope he follows through with that and gives us some more of Cassie Hack in the future. Criminal Macabre: The Big Bleed Out #1 (Dark Horse Comics) This book is trying too hard to be noir, filling in the "she walked into my office, and I knew I was done for" private eye monologue with a gruff guy's tale about falling for a vampire. Unfortunately, the only character I seem to really care about is our quiet, ghoulish partner-slash-protagonist's-friend, and he just wandered into the darkness. So, there's that. 
Frank, bud, what are you doing?
Weekly Pull Highlights: December 11, 2019
This week's episode is all about analyzing a couple great new horror titles and how they completely subvert the expected tropes we've come to know from classic genre flicks, from developing realistic relationships to world building. We wrap up with the new Dark Knight Returns one-shot, which is... well, it's something. And definitely worth analyzing, too. 
Begone, Conan's pectorals!
Weekly Pull Highlights: December 4, 2019
We're low on sleep, but high on energy, and boy does it show. From the reveal of the genius logic behind the new X-Men run, to the strange use of the word 'fatty' in Angela Della Morte, we're giggling this whole episode, and hope you're as entertained as we are.  Sue's allowed to be her own person, goshdangit.Honorable Mention Highlights: November 27, 2019
Killadelphia #1 (Image Comics) It's like True Detective meets Fright Night, but there's not really enough of either side for me to be completely sold yet. Admittedly, I could do with more of the vampire-side on the page, and less implied in raised eyebrows and hints. But, the characters already feel like real people, and honestly that's a really hard thing to establish in a first issue, so I'm interested to see where it goes. Witchfinder Reign of Darkness #1 (Dark Horse Comics) The tone of this books has me completely confused. One minute, I'm watching that extra creepy Johnny Depp flick about Jack the Ripper, the next minute I'm watching a weird Sherlock Holmes rendition where he's kind of an oblivious boob. I want to be into this, because of course, Mignola, but I'm still up in the air. This is also not the first book with this character, so I might be missing key dynamics, but I will say - supernatural Jack the Ripper is always my favorite. Ironheart #12 (Marvel Comics) Eve Ewing's run has finally come to a close, and while we had some substantial reveals take place, I come away from the book feeling... wanting? Ho-hum? The whole run felt like a push to remind her "Family always matters!" but... she always knew that. It doesn't really feel like a magnificent revelation. Still, having a lead of four women of color kicking ass was definitely a fun ride while it lasted. Scream: Curse of Carnage #1 (Marvel Comics) Honestly, this book has a bad case of the edgies. It tries really hard to be broody, with plenty of "get out of my head" talk and "no no no" shouts. The coolest bit are these weird, sludgey symbiote creatures made from like bits of fish and dead pirate skeletons. I am curious to see what the source of that is. Venom #20 (Marvel Comics) And like that, Donny Cates wants to bring back the Ultimate Universe. I cannot even describe how excited I am for this. This particular issue was a much better end to the Absolute Carnage arc than what we got out of Absolute Carnage #5. Invisible Woman #5 (Marvel Comics) Alright, here I am again, contemplating the end of a run that just felt... like an end. It was so refreshing to give Sue a run all her own, give her time to be independent, fully-fleshed out, and dynamic without her hoard of fellas to navigate the story line. But the climactic end of this book centers around a man taking away her ability to choose for herself. I don't know, it seems like a lazy way to end, but maybe I read too much into it, looking endlessly for Sue to be identified beyond Reed's wife and Franklin's mom. Guess it's back to the lab again. Sigh. |
Cover B PodcastChris & Tee host this weekly comic-focused show, providing insight on new comics, entertainment news and more. Archives
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